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Searching for Eden The Diaries of Adam and Eve


by James Still
DECEMBER 18–FEBRUARY 25
A delightfully comic look at relationships!

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[AUDIO]
RadioSRQ.com: Sam Osheroff and Kris Danford with Cliff Roles interview

[ARTICLES]
Bradenton Herald: Life After Eden
The Observer Group: Tempted by the Fruit of Another
Herald Tribune: A Sparkling New World
Pelican Press: 'Searching for Eden' is good theater fun
 

[VIDEO] AUDIENCE REACTION

SYNOPSIS
Searching for Eden is an enchanting new look at the biblical story of Adam and Eve, who are born into Paradise as the first humans. They discover the primal emotions of what it is to be human, inventing love and language. After lasting through the collapse of their idyllic world and thousands of years of life together, Adam and Eve return to the place that was the Garden of Eden, now a resort called E, for a get-away from the hectic life of present day. They seek that same paradise hoping to revitalize their love for one another.
 

DIRECTOR'S NOTE
When it comes to the battle of the sexes, the author of Men Are from Mars, Women Are from Venus has nothing on the great American iconoclast Mark Twain. In 1893, Twain submitted his “Extracts From Adam’s Diary,” a daily journal ostensibly penned by the First Man in Eden, for inclusion in The Niagara Book, (an edition of writings promoting Niagara Falls as an attractive getaway). This clever and witty account of the events at the dawn of human creation had our ancestor wrestling with nature, the cosmos and above all else, the greatest mystery: Woman. In 1905, after the death of his beloved wife Livy Langdon, Twain published a companion piece entitled “Eve’s Diary.”  A rare instance of a female narrator in Twain’s canon, the First Woman was clearly not going to be sprung from a rib only to allow Adam to have the last word on the world’s seminal events. These diaries are a terrific read, achingly funny, and all too insightful into the differences between men and women. Their sardonic wit, good will, and tender poignancy may even give the reader a window into what might make for a lasting relationship.

I can think of no writer better suited to be a companion for Mark Twain than contemporary playwright James Still.  Though I’ve never directed any of his plays, I’ve been a long-time fan. Inspired by the “Diaries,” Still has imagined his way into Adam and Eve’s Eden, their expulsion from the garden, and their middle age set 2000 years in the future, crafting a “he said/she said” of biblical proportions and an affecting, open-hearted work for the stage.  Still seems to share Twain’s bright optimism and the ability to translate fervent feeling into resonant, plainspoken language with compassion, a gentle warmth, and humor.  From his remembrance of Anne Frank in his play And Then They Came for Me, to his excavation of Abe Lincoln in The Heavens Are Hung In Black, Still’s characters, whether original or historical, all exhibit a passion for living and discovery, a bewilderment and awe of life, a striking humanity.

Unlike the Adam and Eve of Searching for Eden, my primary relationship does not go back quite so far.  Five years into my marriage with a two-year old daughter and a twelve-week old son I’ll sometimes wonder what happens to a couple after the first bloom of love, after their children are grown, and after they meet any assortment of life’s  curveballs or adversities. What does it mean to live outside of Eden and how do we return to where we were originally inspired or conceived? What do we mean when we say “I love you”?  I am grateful to have the opportunity to spend time in the company of two writers intrepid enough to explore life’s deepest mysteries, and lend insight into our struggles to measure our lives, to learn to love, and thrive on this lonely planet.
 

Searching for Eden: The Diaries of Adam and Eve


Producing Artistic Director
Michael Donald Edwards

Director
Melissa Kievman

Scenic Designer
Scott Bradley, Bruce Ostler

Costume Designer
David Covach

Lighting Designer
Dan Scully

Sound Designer
Matthew Parker

Stage Manager
Sarah Gleissner*

*Member of Actors’ Equity Association (AEA), the Union of Professional Actors and Stage Managers in the United States.

 

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